从克里斯托弗·诺兰的《盗梦空间》到汤姆·提克威的《罗拉快跑》，电影中，关于梦的空间更多的意义是作为一种视觉奇观被展示；而在现实之中，由空间达成的梦境却是我们寄托心之所想的精神居所。梦的吸引力，来自平行世界和想象世界的交织。本案空间未来的发展方向是办公性质的独栋商墅，作为动漫企业展厅，我们“造梦”的主视角从一只萤火虫的隐现开始。

From Christopher Nolan’s Inception to Tom Tykwer’s Run Lola Run, the dream spaces in films are mostly presented as visual spectacles. In reality, however, the dreamlike space we create serves as a spiritual dwelling where we place our innermost thoughts. The allure of dreams comes from the interweaving of parallel worlds and imaginary realms. This project, a standalone commercial villa designed for future office use and positioned as an animation enterprise exhibition hall, starts our “dream-making” narrative from the flickering appearance of a firefly.