设计师在考虑方案内涵形成的过程中，承接乐天哥诗中的自然形态，只是由“远”及“近”，由“外”入“内”，将自然光引入到室内，使诗中明媚的“动”的生气一转而为温馨的“静”。

主调采用黑白搭配偏黄的灰。这样更能在有阳光处彰显阳光的温暖，在无自然光达到的地方，由人工光源配合色调形成天然的印象。此项目的销售动线比较长，因此设计师一方面大刀阔斧，而在某一视觉必然的停留处设置小景，使空间的状态在“虚”与“实”，“空灵”和“饱满”之间，其节奏如高山流水般流畅。

When developing the connotation of the design scheme, the designer inherits the natural forms in Li Bai’s poems, only shifting the perspective from “far” to “near” and from “outside” to “inside”. Natural light is introduced into the interior, turning the bright “dynamic” vitality in the poems into warm “tranquility”.
The main tone adopts a black-and-white palette with yellowish gray. This can better highlight the warmth of sunlight where it reaches, and create a natural impression with artificial light matching the tone in areas without natural light. Since the sales circulation line of this project is relatively long, the designer makes bold overall adjustments on one hand, and sets small scenic spots at certain inevitable visual stopping points on the other. This makes the space state flow smoothly between “virtual” and “real”, “ethereal” and “full”, with a rhythm as natural as mountain streams.