项目以材料和建构的真实性，主动适应的工业预制化和商业化快速搭建的营造模式，以及对环境友好性为设计出发点，设计师重拾儿时山林间玩耍的童真和乐趣，精心营造的游览路径，令观者在游走、发现之旅中能够体验和感知自然，并由此获得愉悦和安心。将场地内的空间与场地外的场景分为佳俗——佳则收之，俗则屏之，若虚若实，若即若离。

自陶渊明以来，为普通人以身体感知为基础的日常注入诗意，已有1600年历史，或许，灵感与将来都在这深藏于国人心灵深处的“一方山水”之中。

The project takes the authenticity of materials and construction, the actively adapted industrial prefabrication and fast commercial erection mode, as well as environmental friendliness as its design starting points. The designer retrieves the childlike innocence and fun of playing in the mountains and forests in childhood, and the carefully planned visiting path allows viewers to experience and perceive nature during their wandering and discovery journey, thus gaining joy and peace of mind. The spaces inside the site and the scenes outside are classified into the elegant and the mundane — the elegant are framed and incorporated, while the mundane are screened out, presenting a state of being both virtual and real, seemingly close yet distant.
Since the era of Tao Yuanming, it has been 1600 years to inject poetry into the daily life of ordinary people based on physical perception. Perhaps both inspiration and the future lie in this “patch of landscape” deeply hidden in the Chinese people’s hearts.