设计师将“积木”作为贯彻空间设计的形态线索，表达“建构”的概念。在考虑平面时，以中庭为一个隔，楼上办公，楼下会客，同时楼下又将展示区和商务休闲区隔开。大面积的落地窗让人远眺窗外翠绿天际，顶面光棚如天光泄下，色调则以由亮入暗的对比形成带有舒缓气质的节奏，使空间的功能划分单纯化，也为来者在不同的功能区提供相应的心理铺垫。原木饰面的体块以结构的状态，在两个功能空间大量的穿插使用，木纹缓和了直线的冷硬，在观感形成的心理印象中，原木的色调又最能与“生态”暗合。

在展示空间部分，设计师用约束成点线的光进行勾勒，以获取空间的深邃感，增强展示场所所需要的静肃氛围。随着展线的后移，设计师利用自然光和人工光源的混同，使空间的亮度和缓升高，在展示内容结束时又逐渐与中庭的光环境臻于一致。

The designer takes “building blocks” as the morphological thread running through the spatial design to express the concept of “tectonics”. When planning the floor plan, the atrium serves as a partition: the upper floor is for office use, while the lower floor is for reception, where the exhibition area and business leisure area are separated. Large floor-to-ceiling windows allow people to overlook the green sky outside, and the skylight on the top pours down like natural daylight. The color tone forms a soothing rhythm through the contrast from bright to dark, simplifying the functional division of the space and providing corresponding psychological hints for visitors in different functional areas. The log-finished blocks are extensively interspersed in the two functional spaces in a structural form. The wood grain softens the cold rigidity of straight lines, and in the psychological impression formed by visual perception, the tone of log best echoes the concept of “ecology”.

In the exhibition space, the designer outlines the space with light constrained into points and lines, to create a sense of depth and enhance the serene atmosphere required for the exhibition venue. As the exhibition line extends backward, the designer uses the mix of natural light and artificial light to make the brightness of the space rise gently, and finally gradually aligns it with the light environment of the atrium when the exhibition content ends.